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<\/a>The camp is more than just about music. Along with deepening friendships and worship, there are also a range of other fun activities. “I liked all the places we had outings to: the beach at Toila, the castle park, a mining museum in Kohtla and a fortress in Narva,” states principle violinist, Ly Kaasik. “The park was amazingly beautiful and the mine with its long, dim underground passages made us feel as if we had found the entrance to a fairyland dwarf empire.”<\/p>\n
Orchestra conductor, Raeli Florea, also enthuses at how much the quality of the music making improves each year. “Orchestras that play together for several years take after their conductor,” she said. “For one thing; they personally know each other much better. They have also developed a lot as musicians during these four years.” Florea is impressed with their progress noting that “an orchestra player has to have three ears \u2013 two for the neighbours each side and one for themselves. This skill has now been acquired by the participants.”<\/p>\n The orchestral arrangements are written by Rein Kalmus. According to Florea, this significantly adds to the beauty of the concert. “These are not difficult, but they make a good sound. A great ‘thank you’ goes to Rein that we have him and he is willing to make something new for children every year \u2013 we are very fortunate!”<\/p>\n<\/a>She also loved the performance in the final Sabbath concert. “It always gives a lot of joy if a piece of music that has caused me difficulties during the rehearsal comes out unexpectedly well at the concert,” she says.<\/p>\n<\/a><\/a>The camp ended with not only a church concert, but also open air concerts in the yard of Narva fortress and on the J\u00f5hvi Town Hall Square. “Playing in the street, where the sound goes in another direction, teaches us to listen,” Florea noted. “For the orchestra player, it is very important to understand that you are not alone; that you play with others.”<\/p>\n